Subscribe Via Email:
Archives
-
Recent Posts
- A Living Universe: notes and comments
- Self Portrait In Black And White by Thomas Chatterton Williams: notes and comments
- The Act of Writing: A basic course: notes and comments.
- The Illustrated Hen: A Novel by Scott Charles
- The Two Headed Dragon by Sean Hoag: notes and comments
- B Street Theatre’s production of Basil Kreimendahl’s “We’re Gonna Be OK”: notes and comments
- B Street Theater’s production of “Who’s Afraid of Virgina Woolf?”: notes and comments
- Playwriting: a few notes and comments
- Sara Porter: Story Telling Through Dramatic Movement
- Nick Gandiello’s “The Wedge Horse”: notes and comments
Categories
Author Archives: scharles
Nicholas Thurkettle’s “Stages of Sleep”: notes and comments
Nicholas Thurkettle’s writing is finely tuned. Immediate, lyrical, and lean. His work has elements of various American short-story masters — Damon Runyon comes to mind. So does O. Henry. And particularly Ray Bradbury. In “Stages Of Sleep” Thurkettle offers up 15 … Continue reading
Posted in Commentary, Reviews
1 Comment
Celebration Arts production of Mark St. Germain’s “Best of Enemies”: notes and comments
Celebration Arts production of Mark St. Germain’s “Best of Enemies” is full of vigor and energy — the word that comes to mind is explosive. Two characters — a white racist named “C.P. Ellis” (Chris Lamb) and a black civil rights activist named “Ann Atwater” … Continue reading
Posted in Plays
Leave a comment
Elisabeth Nunziato’s production of Maurice Robie’s “Stolen Moments”: notes and comments
Elisabeth Nunziato’s production of Maurice Robie’s “Stolen Moments” has something every movie wants to achieve, but often doesn’t: authenticity and a natural in-the-moment feel. There is something about this film I can’t quite express in words, except to say it has … Continue reading
Posted in Reviews
Leave a comment
Virago Theater Company’s Production of Catherine Trieschmann’s Crooked: notes and comments
Virago Theater Company’s production of Catherine Trieschmann’s “Crooked” at The Flight Deck in Oakland was outstanding. The acting was spot on, vigorous, and relentless — made more so because one of the actors — Isadora Cass (as “Maribel”) is thirteen … Continue reading
Posted in Plays, Reviews
Leave a comment
Virago Theater’s production of William Bivins’ “Ransom, Texas” at the Tides Theater: notes and comments
William Bivins’ “Ransom, Texas” reminds me of Oedipus Rex turned inside out– a Greek tragedy with a distinctly Western accent. There are no women in the play, except as references, and it shows: not a hint of femininity anywhere. The … Continue reading
Posted in Plays, Reviews
Leave a comment
Living in a post CrossFit world
I think CrossFit has been discussed so much, and with such vigor, that we can finally say (or ought to be able to say) we’re done now let’s move on. Which is not to say CrossFit is over, or passe, … Continue reading
Posted in Crossfit Diaries
Leave a comment
Celebration Arts production of David Mamet’s “Race”: notes and comments
I’ve been thinking lately that it’s really quite easy to convince someone of something they already believe to be true. The reason I came to that conclusion, and why such an obvious truism should need to be restated, will be … Continue reading
Posted in Plays, Reviews
Leave a comment
Big Idea Theater’s Production of Jeff Talbot’s “The Submission”: notes and comments
Sometimes a play comes together in such a way that it doesn’t feel like theater, it feels like there isn’t any difference between the audience and the actors. Big Idea Theater’s “The Submission” was one of those moments — there … Continue reading
Posted in Plays
Leave a comment
CapStage’s Production of Jordan Harrison’s “Maple and Vine”: notes and comments
For me theater is at it’s best when it most clearly reflects the social consciousness of our times. Put another way, it’s the antidote for being brainwashed. And by “brainwashed” I don’t mean “Manchurian Candidate” or water-boarding or torture generally. … Continue reading
Posted in Plays
Leave a comment
Making Light Comedy Fest: notes and comments
Comedy seems to me to be an amazing cultural phenomena. In what other segment of the natural world do we see “comedy” other then in human beings? Not just that, how far along in cultural development does a culture have … Continue reading →